Fortunately, Brave is a much better film than any of the cookie-cutter examples with which it might be confused. It’s a set up which, in less capable hands, could result in yet another recycling of the Dreamworks’ “be true to yourself” mantra or Disney’s own set of princess-genre bromides. Superficially, at least: the protagonist Merida is an impetuous red-haired princess who feels shackled by tradition and tribal expectation. With Brave, the people that brought us the Toy Story trilogy– arguably the greatest film trilogy originally conceived as a story for the screen–have given us a movie that, at first glance, runs the risk of being confused with the work of a more simple-minded studio. Now in its 17th year of box office activity, Pixar may have entered into chronological adolescence, but the studio is far from becoming a brazen teenager who’s unaware of the past.

Have a great Fourth and we’ll see you back here on Thursday: Just in time for Independence Day, a wonderful (if spoiler-heavy) review of Pixar’s latest from resident animation guru Jeremiah Lawson.

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